Sunday, April 19, 2020

Love Turned Evil Essay Research Paper free essay sample

Love Turned Evil Essay, Research Paper # 8220 ; If merely they had neer gone # 8230 ; to bring the Golden Fleece! Then neither would Medea, my kept woman, of all time have set canvas for the walled town of Iolcus, huffy love for Jason # 8230 ; # 8221 ; ( Sanderson 14 ) . We will write a custom essay sample on Love Turned Evil Essay Research Paper or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page This quotation mark is the gap lines to Euripides # 8217 ; tragic drama, # 8220 ; Medea # 8221 ; ( Blaiklock 234 ) . Their foreordained destinies all begin with Jason and his conquering for the Golden Fleece ( Hamilton 161 ) . Medea, known to be a powerful sorceress, was hit by Cupid # 8217 ; s pointer and fell frantically in love with Jason ( Sanderson 3 ) . It was Aphrodite and Hera # 8217 ; s program for Medea to help Jason in his escapades even though it meant bewraying her male parent, her fatherland, and the decease of her brother ( Hamilton 168 ) . Traveling against her male parent, Medea retrieved the Golden Fleece from the sacred grove and fled to Greece with Jason ( Hamilton 173 ) . Medea # 8217 ; s brother was sent to halt them, but Medea tricked him into run intoing her at a temple where Jason was waiting to kill him ( Sanderson 4 ) . Medea was overcome with love and would make anything in her power to assist Jason ( Hamilton 172 ) . All she received in return was perfidy ( Hamilton 175 ) . Jason and Medea returned to Corinth where they were married and lived merrily together for 10 old ages ( Paranda 3 ) . Medea # 8217 ; s expatriate from her fatherland and loss of her household seemed irrelevant compared to her great love for Jason and the birth of her two boies ( Hamilton 175 ) . After all the forfeits Medea had made, Jason violated his sacred curses and promises ( Hamilton 175 ) . He grew tired of Medea and wanted a younger and more representative married woman ( Paranda 3 ) . In ideas of his ain selfish aspiration, Jason was to get married the girl of the King of Corinth ( Hamilton 176 ) . Humiliated and disturbed, Medea sought retaliation ( Paranda 3 ) . This led to tragedy ( Parada 3 ) . She knew of merely one manner to do Jason wage for his treachery: # 8220 ; By decease, oh, by decease, shall the struggle of life be decided, Life # 8217 ; s small twenty-four hours ended # 8221 ; ( Hamilton 178 ) . In the authoritative tragic play # 8220 ; Medea # 8221 ; , Euripides illustrates how the power of love can be used as immorality. Love is the important issue and driving force of the drama # 8220 ; Medea # 8221 ; ( Zuger 29 ) . It is depicted in many different ways throughout the class of the secret plan ( Zuger 29 ) . At first, Medea could non defy her love and was astounded with unbelievable desire for Jason ( Sanderson 3 ) . She could non give to her love and went against her male parent and fatherland ( Sanderson 3 ) . Jason had made an curse to get married her and take her off with him but, in the terminal, went against his word ( Sanderson 6 ) . Medea blamed her overpowering passion and love on her actions ( Zuger 29 ) . Even though Medea had so much love for Jason, he was still to marry the King # 8217 ; s girl ( Sanderson 6 ) . In fright of Medea # 8217 ; s black magic, the King intended to ostracize Medea and her boies from the state ( Hamilton 176 ) . Exiled from her fatherland and from her household, Medea had nowhere to travel ( Sanderson 6 ) . Guilty and regretful of all she had sacrificed, her outraged love and wretchedness of her destroyed life motivated her programs of devastation ( Hamilton 176 ) . Medea # 8217 ; s intense love for Jason turned to hatred. The significance of love is lost to Medea as disgust and spite conquer her bosom ( Zuger 29 ) . The drama # 8220 ; Medea # 8221 ; blames the act of love as a consequence of its sorrowful terminal ( Zuger 30 ) . Vengeance was Medea # 8217 ; s chief finding ( Sanderson 6 ) . Medea wanted Jason to endure as she suffered ( Zuger 30 ) . She plotted to take away all that Jason loved merely as he had taken away her love ( Zuger 30 ) . Medea sent a poisoned robe to the princess ( Sanderson 6 ) . As the princess put it on, she was set on fire, and the King of Corinth besides died as he tried to salvage his girl from the fires ( Hamilton 178 ) . Medea had killed Jason # 8217 ; s wife-to-be ( Hamilton 178 ) . Jason and Medea loved their boies really much and even fought over whom loved them more ( Zuger 29 ) . Their boies were the merchandises of Medea and Jason # 8217 ; s passion, and Medea used them for her hateful retaliation ( Zuger 30 ) . Knowing Jason # 8217 ; s love for their boies, Medea stabbed her boies to decease ( Hamilton 178 ) . She allowed all her hatred and fury to overmaster her love for her kids ( Hamilton 178 ) . In the terminal, Jason was left with nil merely as Medea had plann ed ( Zuger 31 ) . Jason, full of sorrow and rage, attempted to kill Medea, but she fled from the roof of their place in chariot drawn by firedrakes ( Hamilton 179 ) . Unable to digest the loss of his bride and boies, Jason was neer the same ( Parada 3 ) . Medea obtained her retaliation on Jason, but at that place was genuinely no victor ( Zuger 31 ) . The drama # 8220 ; Medea # 8221 ; has a transmutation of tempers from love to detest and so excessively vindictive choler ( Zuger 30 ) . lt ; /p > Euripides successfully portrays the character Medea as the victim of error and the actor of deep incorrect ( Blaiklock 236 ) . In the beginning of the drama, the audience is led to experience sympathy and compassion for Medea ( Blaiklock 236 ) . She had done so much for her hubby # 8217 ; s sake ( Gill 2 ) . Medea had saved Jason # 8217 ; s life, retrieved the Golden Fleece, betrayed her household and fatherland, and bore him two boies ( Gill 2 ) . In return, Medea was wrongfully hurt and betrayed by Jason ( Blaiklock 236 ) . After this clip, the audience is shown another side of Medea ( Blaiklock 236 ) . Euripides presents how betrayal can take to common perfidy ( Blaiklock 236 ) . With confusion and desperation, Medea did what she had to get the better of her sense of impotence ( Gill 2 ) . She had loved Jason so unconditionally yet uses it for her retaliation ( Zuger 30 ) . Her pride and award were destroyed by Jason and left her with merely the finding of retribution ( Zuger 30 ) . Even though Medea loved her kids, she knew taking their lives was the lone manner to acquire back at Jason for all the hurting he has caused ( Sanderson 6 ) . Medea, excessively, suffered from the loss of her kids, but it gave her peace cognizing Jason was besides enduring ( Zuger 30 ) . In the # 8220 ; Quest for the Golden Fleece # 8221 ; , Jason was depicted as a superb hero ( Hamilton 175 ) . His function changed in # 8220 ; Medea # 8221 ; as he became selfish and narcissistic ( Gill 2 ) . They had lived together merrily for 10 old ages, and so Jason felt he wanted to get married the girl of the King of Corinth so that one twenty-four hours he would be King ( Hamilton 177 ) . Jason had made a jeer of Medea # 8217 ; s love ( Sanderson 6 ) . In one confrontation, Medea pled with Jason and reminded him of all that she had done for him ( Sanderson 6 ) . Jason countered that it was because of the Gods that led Medea salvage his life ( Gill 2 ) . He fought back, and claimed he had helped her in the long tally, and that she should be thankful to him ( Sanderson 6 ) . Jason twisted all of Medea # 8217 ; s Acts of the Apostless of love into his ain self-glory and believed # 8220 ; Yea, work forces should hold begotten kids from some beginning, no female race bing ; therefore would no evil of all time have fallen on world # 8221 ; ( Gill 2 ) . He had broken his curses of matrimony and, as a consequence, lost everything ( Zuger 31 ) . Jason pushed her beyond all degrees of human endurance for defeat and weakness ( Gill 1 ) . Euripides # 8217 ; # 8220 ; Medea # 8221 ; proves how love can besides be a unreliable force. Love is really powerful but, in this drama, it is shown how it can be turned against oneself. Medea is the tragic hero as she overcame her licking yet is still victimized by the loss of her love. Jason selfishly went against Medea even after all that she did for him. Arrogantly, he did non except the incrimination for the result of their lives because he felt that he was the 1 who had done everything for Medea. So wounded and defied, Medea became outraged with rage that all her love turned to pure immorality. She loves her kids really much but used them to ache Jason by slaying them. Both Medea and Jason claim undying love for their boies but genuinely utilize them for their ain demands and self-pity. Indulged in their ain ego worth, their thought of love is turned nefarious. Love is suppose to be good and righteous, yet in Euripides # 8217 ; # 8220 ; Medea # 8221 ; it is used as immorality that causes a true bad luck. In the drama # 8220 ; Medea # 8221 ; , Jason neer claims his love or compunction for Medea. He used her for his ain self-redemption and so credits himself for his good luck. At the beginning, Medea had so much love for Jason that she would make anything that she could for him. Medea went against her household to assist Jason and fled from her fatherland. Medea # 8217 ; s love and Jason # 8217 ; s betrayal lead to this drama # 8217 ; s calamity. Love was the indispensable power that enkindled Medea but, in decision, retribution and hatred prevailed. This drama was a true calamity for no 1 proved to stand out. In decision, the drama # 8220 ; Medea # 8221 ; exhibits how evil can pervert even the purest and most passionate signifiers of love. Bibliography Work Cited Blaiklock, E.M. # 8220 ; Nautical Imagery of Euripides # 8217 ; Medea. # 8221 ; Classical Philology. Vol. L. 1955. Gill, N.S. # 8220 ; Medea. # 8221 ; Ancient/Classical History. 10 Apr. 2000. Education gt ; Ancient/Classical gt ; Hamilton, Edith. Mythology. Little, Brown and Company, 1942. Parada, Carlos. # 8220 ; Medea. # 8221 ; Greek Mythology Link. 10 Apr. 2000. Sanderson, James L. , and Everett Zimmerman, eds. Medea: Myth and Dramatic Form. Boston: Houghton Mifflin Co, 1957. Zuger, H. # 8220 ; The Aegus Episode and the Poetic Structure of Euripides Medea. # 8221 ; The Classical Bulletin. Vol. XLIX. 1972.

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